Ghana Film Business

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How Ghana’s The Fisherman went from a €200,000 grant to festival screens

The Fisherman was one of four features that Biennale College Cinema selected for production funding in January 2024. The Ghana-set comedy played Venice that August and reached festivals in New York and Auckland in 2025.

Sources checked

Film financing and exhibitionThe Fisherman from development shortlist to festival screenings
  1. 3 Sep 2023
    Development shortlist

    La Biennale chose 12 of 184 projects. The Fisherman entered with director Zoey Martinson and producer Kofi Owusu Afriyie. Source 1

  2. Oct 2023
    First workshop

    La Biennale scheduled a ten-day workshop for director and producer teams from the shortlist. Source 1

  3. 10 Jan 2024
    Production grant

    Four projects moved into production with a grant of €200,000 each. Source 2

  4. 30 Aug 2024
    Venice screening

    A public ticketed screening took place at Sala Giardino on the Lido. Source 4

  5. 30 Aug to 30 Sep 2024
    Limited online festival window

    The film was part of Sala Web, which opened each title on its premiere day and closed its limited online run on 30 September. Source 5

  6. Sep 2024
    Venice collateral award

    The festival records the CICT and UNESCO Enrico Fulchignoni award for the feature. Source 6

Show 3 more dates
  1. May 2025
    New York African Film Festival

    Film at Lincoln Center listed the feature as a New York premiere. Source 7

  2. 2025
    American Black Film Festival awards

    The festival archive records awards for best narrative feature and best director. Source 8

  3. Sep 2025
    African Film Festival New Zealand

    The Auckland festival included the 105-minute feature in its 2025 programme. Source 9

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Source 1 Source 2 Source 3 Source 4 Source 5 Source 6 Source 7 Source 8 Source 9

The grant followed two rounds of selection

La Biennale says 184 projects entered the 2023 to 2024 edition. Twelve reached the first workshop, around 6.5% of entries. Four reached production, or about 2.2% of the original pool. The submissions included Italian and international calls, so those shares describe the combined edition. Source 1 Source 2

The film went to Venice with a 105-minute cut

The programme credits Zoey Martinson as director and screenwriter and Luu Vision Media for production, with Kofi Owusu Afriyie and Korey Jackson. A separate schedule records a ticketed public screening at Sala Giardino. The organiser also made the film available for a limited festival streaming window. Source 3 Source 4 Source 5

Awards and programme listings trace the next stages

Venice lists the CICT and UNESCO prize among its independently awarded collateral honours. Film at Lincoln Center later billed its screening as the New York premiere. The American Black Film Festival archive lists two awards and the African Film Festival New Zealand catalogue documents the feature in Auckland. Source 6 Source 7 Source 8 Source 9

Production support is one part of the business record

The €200,000 is the production grant stated by La Biennale. A full production budget would also account for other cash and in-kind costs. The festival listings document exhibition. Ticket sales, territory rights, and the terms of any distribution deal would need separate records. Source 2 Source 4 Source 7

Sources

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